New York Tel.-Nr.
The new New York Office Tel.-Nr. of epodium gallery is +1 (917) 675-4843
The new New York Office Tel.-Nr. of epodium gallery is +1 (917) 675-4843
Video HD / CGI Animation / Stereo / 12 min
Brooklyn Exchange Rates Biennial, New York City / October 2016
Video/ Images © Paul Valentin
Special Artist Reception
Saturday, June 23rd 6:30 PM – 7:30 PM
The lighting sculpture is available for view until 11 PM
HEDERA
On view from June 5th to August 11th, 2018
Prospect Park Bandshell
Prospect Park West and 9th St. Brooklyn, NY 11215
GRIMANESA AMORÓS
BRIC Celebrate Brooklyn! · Prospect Park Bandshell · Brooklyn
HEDERA
On view from June 5th to August 11th, 2018
Opening and Artist Talk
June 23th, 6:30 pm
Prospect Park Bandshell
Prospect Park West and 9th St. Brooklyn, NY 11215
epodium artist Roger Kausch and Margarita Sanchez Urdaneta in ARTnews
Roger Kausch and Margarita Sanchez Urdaneta at Slag Gallery, Brooklyn
Roger Kausch
Margarita Sanchez Urdaneta
ARTnews is the leading source of art coverage since 1902.


Reducing Distance: Roger Kausch and Margarita Sanchez Urdaneta
June 2 – July 2, 2017
Opening Reception: June 2, 7-9 PM
Roger Kausch
Margarita Sanchez Urdaneta
Roger Kausch and Margarita Sánchez Urdaneta
Reducing Distance
June 2-July 2, 2017
Opening Reception: Friday, June 2, 7-9 PM
Slag Contemporary
56 Bogart St.
Brooklyn, NY 11206
T 212 967 9818
Thursday – Sunday 1-6PM
Monday – Wednesday by appointment
irina@slaggallery.com
www.slaggallery.com
Slag Gallery is presenting Reducing Distance, a two-person show of works by epodium artist Roger Kausch and Colombian artist Margarita Sánchez Urdaneta. This will be Kausch’s first exhibition in the United States and Urdaneta’s first exhibition at Slag Gallery.
Roger Kausch is best known for his multi-process work, often integrating music and performance — particularly in video and drawing. Reducing Distance will present a selection of Kausch’s work over the past ten years. In the media of drawing and painting, his layered yet spontaneous method leaves behind temporal marks, illustrating seismographic time traceable in layers of continual adjustment.
Manifold forms of technical processing primarily mark the origination process of Kausch’s diverse videos. The works are committed to the exertions of being human and to humanartifacts, tools and strategies, aiming to reveal the emotions, desires and hopes these are charged with. Through the fragmentation of the video stream into single image sequences, processes of movement are made to expose their hidden choreographies. The rhythm of their arrangement gives them the expressivity of music and dance.
Margarita Sanchez Urdaneta’s beguilingly mysterious works combine installation, video, sculpture, and writings. Her eerie yet strangely calming works depict places of, as she describes, “Forced disappearances, mass graves, and terror tactics.” Sánchez Urdaneta’s new 2D works are inspired by burial methods in Colombia’s perpetual complex landscape and history. The work focuses on the relationship between the landscape and the violent event, between the time of occurrence and the time of telling.
“The continuous violence in Colombia has left millions of victims and has created the necessity for a collective mourning process, a process that has been put on pause since bodies are hidden, communities are threatened if they bury their dead, and most violent acts are overlooked as soon as a new violent act is perpetrated. The interest in mourning and memorizing these violent events has become, for most grievers, not only a way of remembering but also a way of facing the present and denouncing the atrocities.”
Roger Kausch studied Art History and Philosophy at the Academy of Fine Arts in Munich. He was previously head of “Werkstatt für Bild und Tonsequenzen“, a forum for presentation and discussion of video works at the „Hochschule für Musik und Theater“ in Munich. He has exhibited and performed in galleries and concert venues throughout Germany and Austria.
Sánchez Urdaneta holds an MFA from Parsons The New School for Design (NY), a postgraduate degree in Journalism from the Universidad de Los Andes (Bogota), a BA in Visual Arts at the PUJ (Bogota), and attended the Whitney Independent Study Program (NY). Sánchez Urdaneta has participated in exhibitions at venues such as The Kitchen (NY), The EFA (NY), El Museo del Barrio (NY), Instituto Cervantes (NY), Museo de Arte Contemporaneo (Bogota), Galería Die Ecke (CL), The Arlinton Art Center (VA), and The BID Headquarters Atrium (WA).
Artists respond to the new global order with works that range from amusing to acidic
by GABRIELLA ANGELETI | 3 March 2017
(via The Art Newspaper)
The effects of fractured political systems are looming themes at Armory week satellite fairs geared toward younger dealers and artists. At Volta, running 1-5 March at Pier 90, the centerpiece is a curated section, organised by the Brooklyn-based curator Wendy Vogel. Titled Your Body is a Battleground after the famous Barbara Kruger photomontage, created on the occasion of the 1989 Women’s March on Washington, the mini-exhibition comprises works by eight artists dealing with the idea of resistance, including a colossal installation titled PATRIOT (2017) by the Kentucky-based artist Melissa Vandenberg that spells out its title with sewn and stuffed surplus military fabric.
Coming soon …